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CelestialFlea's avatar

For me it’s Nightwish, they have continually evolved with every iteration, each new female lead and grown from every hurdle they’ve faced.

They started of as a relatively obscure symphonic metal band with a loyal following and have since become widely known across Europe and parts of the US amongst metal fans and didn’t really start to take off in terms of popularity until 2013 after the current lead singer joined the band.

Personally I started following them long before they were widely popular and before they released their album Dark Passion Play, Which followed the particularly bitter release of their lead vocalist at the time, Tarja Turunen. Many fans feared it would be the end of the band due to their loyalty to Tarja, who was known for her incredible operatic voice and is still widely loved today.

She was replaced by Anette Olsen for the album Dark Passion Play, which was for me..the first evolution of their music. This album also dealt with a lot of the bitterness and heartbreak the band had to deal with following Tarja’s departure. Most notably in the track “The Poet and the Pendulum” which dealt with a lot of dark feelings and emotional turmoil felt by Tuomas Holopainen. That track alone, has so much more attached to it that the scope really goes further than the bounty suggests.

Again in the track “Bye bye Beautiful” it dealt with some of the issues they faced following Tarja’s departure from the band and was  away for them to both pay tribute and move on. The album as a whole is also a pretty big shift away from what they had been doing previously, much heavier metal in places yet also some tracks which truly complimented Anette’s softer voice and weaker vocal range, Meadows of Heaven comes to mind.

Another change of style came with the album Imaginaerum, which was much darker but with more elements of fantasy and ‘nightmare fuel’ but also tracks which have since turned into classics. I think one criminally underrated track which really showcased something different, was Slow. Love, Slow. It had a distinctly Jazzy theme to it that reminded me a bit of Sin City with that sort of gritty dystopian vibe. Which in my opinion is of Anette’s best performances. The song really showcased their range of musical ability, and if memory serves me correctly..they even played at a Jazz festival.

Their style evolved once again with Endless forms Most Beautiful, introducing us to their current singer Floor Jansen and aherm..the famed, Floorgasm. This album has a decidedly more whimsical theme but deals with the evolution of life and other aspects. This is the first album that also introduces Troy Donockly as a full time member (he’s made appearances in others, but now full time) and although he plays many instruments he’s most well known for his Uilleann pipes which gives this album a truly different feeling to all the others.

The Stand out track for this album is most definitely “The Greatest Show on Earth” and is quite simply, a musical and lyrical masterpiece. 24 minutes of pure metal bliss that showcases each of their talents.

The next album, Human Nature (Sadly their last with Marko) was also a distinct evolution of their sound although their style stayed very much the same. This album, as per the title deals with elements of well..human nature and experimented with the unique sounding harmony the three singers have together whilst also giving them their own set pieces, it was something I’d not heard from them before. There’s so many stand out tracks in this album that I can’t really list them all but I will list a couple, starting How’s the Heart, for something that showcases their incredible harmony and Shoemaker for the Floorgasm of all Floorgasms.

Where this band really shine most though is Their live performances, everyone always says the same thing “The best live performance I’ve ever seen” I was lucky enough to be able to see their Human Nature tour and it’s something I’ll never forget. They sound even better live than the studio recordings, which is a rare quality these days. Something that also surprised me, is how varied the age groups of people that were there but it does that they appeal to a much wider demographic than a lot of others in the same genre, thanks precisely to how much they’ve grown and changed.

A lot longer than 70 words but uh, was a lot to cover for how often they’ve evolved.

A

They lost me when Annette Olsen left. I met them with Dark Passion Play so I love that album, I also loved Imaginerium as I loved Tarja's era albums but the new ones never... stuck with Floor Jansen, and I really like Floor's work with After Forever and Star One/Ayreon, so it's not a matter of "I hate that singer" or "the previous singer was better". They didn't have the same magic anymore... albeit it could be said that I changed as well so that might be at fault as well.

CelestialFlea's avatar

I agree that the music changed after Dark Passion Play but I disagree they lost the magic, it's just different. Though your reaction is quite a common one.

If you look at their reactions on-stage with Floor, you can tell they've rekindled their passion for music. The way they smile at eachother, at her, the sparkle in their eyes that they didn't seem to have with Annette. Not since Tarja.

I'm not gonna say any particular singer is better than the other either, I like them all because they're each different because of their own qualities and they each have their own songs they do better than the other, Floors version of Ghost Love Score for example.

Also, she sang on-stage with her sister once..they both can belt it xD she also did a duet with Tarja too!

I would strongly encourage you to give Human Nature a listen to though, much more like Dark Passion Play and Imaginaerum. The second orchestral part of the album is also with a listen to, hearing at times classical music on a Nightwish album is quite a feast for the ears.

Shovel's avatar

well if you are going to look at successful music evolution then you have to look at the 3 biggest names in Pop Music right now. Taylor Swift, Miley Cyrus and Beyoncé.

All of their changes in genre have all been successful and I don’t think they’ve had an era that’s flopped. Whether you like them or not you can’t deny that they are successful when they change it up.

But that then becomes that next age old issue as to there being pressure on female singers to always evolve to stay current but not so much pressure on men. But you see the other side where if they don’t change it up, people get bored fast.

Horror and Cats's avatar

Avenged Sevenfold evolved vocally about six years into their discography on their third album. They started out really with guttural vocals (I’m not exactly a musical scholar so I don’t know the minutia on the different genres of “metal,” I just know that there is melodic and not melodic).

I started listening to them around the release of their fourth album, Hail to the King, and started to play randomized A7X playlists while working. I would just skip the super hard vocal stuff because that’s not my style of music. After a while I started to recognize my favorite songs and make my own playlists, realizing they were all on the latter albums.

Again, I’m no musical scholar, but I appreciated the transition from the guttural stuff to a more melodic style, and obviously they’ve only gotten more popular.

A

Depeche Mode, making people raise their hands in the grain field since 1980.

The now duo (RIP Fletcher) (albeit P. Gordeno and C. Eigner are de facto members as they had been long time collaborator writing with them on studio albums) had gone through life, and what a life, especially for Dave Gahan, through a changing world, from the 80s to the third decade of the 21st Century, and yet... they remained Depeche Mode, enthralling a fan base young and old, leading them on the notes of timeless classics and newer pieces.

Their sound has changed a lot as did their albums as a whole. Long gone are the young musicians from Basildon of Speak & Spell and A Broken Frame, young and dancing, past is also the forever hit band of Music for the Masses and Violator giving us timeless classics like Enjoy the Silence and Never Let Me Down Again; gone is also the shrouding darkness of Songs of Faith and Devotion, the darkest album they ever made with a Dave Gahan on the verge of destruction. The recovery of Ultra and Exciter straddling the end and the beginning of two centuries, there they started to see the light again after a period of time that went close to put the word Depeche Mode on a tombstone. The new band, older, lived, savvier, back from recovery with Playing the Angel, looking back at their past and yet looking into a different world. And then, tackling the new age with Sound of the Universe and onward, seeking more experimental sounds and following their muse more than ever, a muse that led them to Memento Mori, a particular album, sometimes a sum of all their past, sometimes a musing on life at large, sometimes a requiem for a missing friend.

44 years and they are still Depeche Mode. They are different but who is the person that after 44 can still say "I'm the same"? Life changes people. It's not possible that a band, after 44 years, does exactly the same music, behaves the same way as it did back at the start. However, their albums still feel Depeche Mode, they try new things, and yet... the vibe, the magic, is still there.

Scrbzy's avatar

This is a great bounty!!! Great suggestion, I have the opportunity to talk about my fav band!

In my humble opinion Bring Me the Horizon are the best case study for this. Their debut album back in 2006 'Count Your Blessings' featured chaotic guitar riffs and screaming vocals staple of the deathcore genre. At the time this was well received by audiences thanks to the popularity of 'Emo' culture, despite mixed reviews from critics there was evidence of talent buried there.

Forward to 2008, Bring Me release their second album 'Suicide Season'. Already there was evidence of a slight evolution here, whilst the album still featured similar riffs and vocals it was noticeably less aggressive and utilised electronic sounds/elements. At this point the band were entering their metalcore era.

The following album was 'There Is a Hell Believe Me I've Seen It. There Is a Heaven Let's Keep It a Secret'. Similar yet also completely different to Suicide Season, this album was very dark with its lyrical content. The lead singer at the time was dealing with an addiction to Ketamine, whilst the actual sound wasn't too different to SS it was much better written and far more mature.

3 years later and 'Sempiternal' is released, widely recognised as the bands best album this felt like a turning point. It was met with critical acclaim with many highlighting the bands hard work to evolve their sound, this album saw more singing from Oli (Lead Singer) which up until this point was rare.

The final album I'll write about is 'That's the Spirit' which was their first radio friendly release. Another popular, well liked album, listening to this and Count Your Blessings, you would be forgiven for thinking they're too separate albums. At this point they had completely abandoned their deathcore origins and had adapted to the new era rock music.

From then till now they've consistently experimented/evolved to remain relevant. They've only gotten more popular and the fact they're still relevant today is evidence alone of their adaptability and musical intelligence.

I'm gonna stop now because otherwise I will go on forever but if you're interested in seeing the actual transition I urge you to listen to 'Pray for Plagues' and then 'Strangers'.

L

I have a really underrated submission for this.

Charlie Simpson

Obviously started in Busted. Their debut album, “Busted” (2002), featured hits like “Year 3000” and “What I Go to School For.”

It was pop rock for the masses.

In 2005, Charlie Simpson left Busted to pursue a different musical direction.

He formed the post-hardcore band Fightstar, which had a heavier and more alternative rock sound

Metal fans loved to hate on the band due to his origins. but personally their music was solid and I love the whole one day son album.

Simpson pursued a solo career, releasing two full studio albums:

It featured acoustic-driven tracks with introspective lyrics and a blend of folk and indie rock influences.

POP ROCK, TO POST HARDCORE, TO INDIE ROCK

Rich's avatar

I remember seeing Fightstar at Download not long after Charlie formed them. They got bottled and booed because he'd been in Busted. Then I saw them again at the same festival a few years later, and once on their own tour. Totally different reaction - by that point he'd put in the work and the metal community had recognised Fightstar were legit. Great suggestion

Sturmer's avatar

A Perfect Circle

A Perfect Circle (APC), founded by guitarist Billy Howerdel and Tool’s vocalist Maynard James Keenan, is a band that has successfully evolved its musical style over the years. From their debut in the early 2000s to their more recent work, APC has managed to reinvent themselves while maintaining a loyal fan base and attracting new listeners.

I The Early - Mer de Noms (2000)

APC's debut album, "Mer de Noms," was a powerful entry into the rock scene. With tracks like "Judith" and "3 Libras," the album showcased a unique blend of alternative rock and art rock, characterized by dark, introspective lyrics and dynamic guitar riffs. The music was raw, emotional, and resonated deeply with fans of both Tool and the broader rock audience.

II Radical Transformation - eMOTIVe (2004)

APC took a bold step with "eMOTIVe," an album of cover songs reimagined through the band's unique lens. This album diverged significantly from their earlier work, featuring politically charged themes and experimental sounds. Tracks like "Imagine" (originally by John Lennon) and "Passive" showcased their ability to reinterpret and inject new life into existing songs.

III Reinvention - Eat the Elephant (2018)

After a lengthy absence, APC returned with "Eat the Elephant," a significant change from their previous albums. This album incorporated elements of electronic music, orchestral arrangements, and a more subdued tone. Songs like "Disillusioned" and "The Doomed" presented a matured and refined sound, blending rock with intricate compositions and introspective lyrics. The evolution in their music was a response to the changing musical landscape and the band's own growth as artists.

Why It Succeeded

In my opinion, APC’s success in evolving their musical style can be attributed to several factors:

  • Both Howerdel and Keenan have a clear artistic vision and are not afraid to take risks. Their willingness to explore new sounds and themes has kept their music fresh and relevant.

  • A remarkable ability to adapt to changing musical trends without losing their core identity.

  • The band’s lyrics, often tackling complex emotional and social issues, have resonated with listeners, providing a deeper connection to their evolving sound.

Limal's avatar

there is a huge audience overlap with a Tool! My funny theory: Maynard actually A/B testing, that's a secret of his success

Kane Carnifex's avatar

I only have the example where money has ruined them. Or in other Words everybody else started to like them but I lost the connection.

  • Start: 2001

  • Germanband: “Unheilig”

They performed on the Wave-Gothic-Treffen (WGT) which gives you little bit of an idea of where they started. (Leipzig is BLACK to this time.)

If you here into the original stuff like “Sage Ja” Or you listen to 2003 “Maschine” you still hear the aggressive dark like EDM, etc.. bla bla

https://www.youtube.com/watch?v=pC7etw5T_as

So what 2006 already started had his heat in 2010 with a german number #1 Song.

Geboren um zu leben

https://www.youtube.com/watch?v=1YOovPkiMrk

And? Funny or this total different style. Soft Pop dramatic whatever radio sh*t?!

You want to know the BEST PART OF IT? GUESS IT WHAT HAPPEND NEXT <3

TheGreatestBanana12's avatar

Katy Perry started her music career singing Christian songs under her real name Katy Hudson but in 2008 she tried to mix things up and upon moving to LA she decided to try a new genre of music one so different to what she had been performing before, The change to pop music on her album One of the Boys was this turning point and she became an almost immediate success following the albums release making her a lot more famous and well known than she ever was before this genre switch.

Makster's avatar

Kero Kero BonitoKKB for short is an UK based indie pop band that came on the scene for their upbeat poppy songs that were addictive, catchy, and sugery sweet. Maybe a little too saccharin as the bubble gum pop of songs like Trampoline, Try Me, and Heard a Song came off as a little juvenile and kid's TV programme worthy. When I first heard of KKB, I wasn't in a great place so the catchy upbeat music was just what I needed so I really enjoyed their first album Bonito Generation.

However their style did evolve. With their second album Time 'n' Place they expanded their genre repertoire to include elements of noise, indie rock, dream pop, and synth-pop. They changed their live line up to include more instrumentals rather than just a electronic set up and also overhauled their style - going from positive and upbeat to a more reflective and somewhat darker subject. Although this departure also came with a change of image, it was positively received by critics being a lot deeper than the bubblegum pop from their first outing.

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