The year has been and gone, and there have been plenty of excellent films. From horrors and thrillers to animations and family movies, across all the streaming platforms and in the cinema, it's been an incredibly strong year.
So this is your opportunity to pick one film that released in 2024 and review it! Remember, a review is meant to analyse, not just describe. Tell us what worked, what didn't, and why it was your favourite film of the year to win.
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For me, Terrifier 3 is the best film of 2024 because it represents a unique cinematic experience, capable of overcoming the boundaries of the horror genre in a way that is rarely seen today. It is not just a film, but a raw and visceral exploration of fear, which manages to combine psychological tension, gore and visual aesthetics in a masterful way.
Art the Clown, the protagonist, is not only a terrifying character, but a force in the contemporary horror imagination. Each of his appearances is disturbing, both for his unpredictability and for his macabre creativity. He is a figure who embodies pure chaos, but without ever being banal or excessively caricatural.
What struck me the most is Damien Leone's direction. The film does not limit itself to shocking with violence, but constructs an intense narrative, made of chilling silences, studied shots and a rhythm that keeps you glued to your seat. The soundtrack, then, amplifies every emotion, transforming every scene into a real nightmare.
But the real strength of Terrifier 3 is its ability to dare. It is not afraid to push the limits of what is acceptable in mainstream horror cinema, while maintaining a narrative coherence that makes every brutal moment functional to the story. It is not just a "splatter movie"; it is an experience that remains in your memory, that makes you reflect on your relationship with fear and the morbid attraction towards horror.
In short, for me it is the best film of 2024 because it is not satisfied with being "just" horror, but becomes a disturbing and unforgettable work of art, capable of leaving its mark.
I think these films are a masterpiece of practical effects, this gives them a reality in gore that is rare, and the reluctance to turn the camera away for blows leads to quite a series of long lasting nightmares that may require psychiatric help.
I felt the story in this one was a bit flat, I am a fan of the series now, where I was avoiding it a gore fest with no substance, the character is.... just... something right.
I loved your review and heres to No 4...
I went back and watched All Hallows Eve which has some of the first Art the Clown appearences..
My favorite film of 2024 is Longlegs, a nightmarish David Lynch-esque thriller that blends supernatural entities, religion, and police procedural drama wonderfully, even if it doesn't quite stick the landing at the end.
All I could think about when watching the film was that it is shot in such a unique way, blending the styles of Lnych, as mentioned, with shots that wouldn't look amiss in Remedy's Alan Wake series of games.
The premise, without spoilers, follows an FBI agent in the 90s played by Maika Monroe, who believes they may have some sort of supernatural power which is then investigated by the bureau through a series of tests. Upon coming to the conclusion that something is aiding Agent Harker in her job, they place her on the Longlegs case, and she gets to work cracking codes, only to realize that she may be closer to the case than she first realizes.
Nicholas Cage's performance as Longlegs is unsettling but kept to a minimum in terms of screentime, and this amplifies its effectiveness. The story also does a great job of setting the character up as a run-of-the-mill psycho serial killer before the truth is revealed and is far more disturbing. Every shot is atmospheric due to a mix of a mixed soundtrack and diegetic sounds.
It's rare that a movie can so easily make a contemporary style and make it so broadly appealing, but even those without any prior knowledge of Lynch movies, or procedural cop dramas can appreciate how Longlegs came together. It also has some truly shocking moments that will have you jumping with fear or screaming at characters through the screen.
Sadly, it's ending feels rushed, and could have used an epilogue, as a sequel would simply ruin what the first film accomplished. However, the films appears to be the breakthrough moment for director Osgood Perkins, who also has two more features out in 2025, The Monkey and Keeper, both of which still maintain an Indie feel but will no doubt catch the eye of movie buffs given Longleg' success.
A film recently seen in this past year is the new version of Ghostbusters: Frozen Empire. The sets as well as the filming technology were far superior to the Ghostbusters we are used to, however the story, although challenging, was more lacking and less attractive than the previous versions. We have seen over the years, various versions such as the legacy or the all-female one, and I expected this to finally be the resumption of a saga destined to last over time. What really works is the emotional factor... nostalgia always works. And then some scenes are not bad, like the one where the rebellious daughter wants to emerge. Another thing that works is the soundtrack, it takes the classic song typical of every reboot and adds other background songs that improve the narration. And then there could not be missed the little ghost Slaimer, who like every self-respecting Ghostbust, shows his ability to create damage wherever he is.
What worked was definitely the cast, made up of characters with a lot of baggage behind them, but also the premise with which it was launched. What didn't convince me much was the underlying story, although some scenes between the characters gave a certain depth to the whole film. I definitely prefer the female reboot to this one, it certainly had more originality.
Of all the anime films that I have watched in 2024, only a few really give a good and deep impression. But, this anime adaptation of the manga look back by tatsuki fujimoto is different. The thing I like when I know this tatsuki fujimoto is his absurdity, back to the film when it starts from the visuals from the beginning of the film already looks different from other anime films, combined with a very supportive backsound for the whole film, so it can be very emotional and impressive.
This look back film manages to capture the essence of fujimoto's style. Simple, emotional, and full of meaning. The story follows two people, Fujino and Kyomoto, young artists who connect through their love of drawing. With very opposite personalities, Fujino is very confident and Kyomoto is very quiet but a genius. The animation is very distinctive, as each scene is like a heartfelt painting, ranging from serene depictions of suburban life to surreal moments. Plus, the soundtrack by Kensuke Ushio makes the film perfect.
Although the film is slow and reflective, especially towards the middle of the film, I felt that there were a few scenes full of silence. However, it is also good for contemplating life, making it a satisfying experience when you finish watching the film.
Look back is a testament to the power of animation in conveying very complex human emotions while reminding us all of the connections and existence we build with others. That's why I think look back is the best film of 2024.
I would love to talk about Alien Romulus as the film that I most enjoyed throughout the year. Not only is Alien one of my favourite franchises from a young age but seeing this in the cinema was my first experience seeing a film in 4dx at cineworld. For each chest burster, getting stabbed in the back by our chairs was wild.
It allowed me to be completely immersed and invented in the film’s faithfulness to the source material and brilliant performances of the smaller main cast. Not to mention the sprays of water each time blood was spilt was amazing for my nerdy little heart. I know that 4dx is an avenue that I will choose for many more movies to come to properly appreciate them.
I was immediately planning a future cosplay from the moment that Rain came on the screen, playing a final girl that did complete justice to Ripley coming before her. Although my pick for stand out performance would go to Andy who stole every scene that he was a part of.
I loved the inclusion of the original film’s cast and references throughout, although I only wish that Ian Holm’s tribute had been taken with more care in the cgi and following that in the later involvement of the human/alien hybrid too.
Man, I just love Tolkien's universe and I love anime. The combination of that was simply the best movie of 2024 for me! The Lord of the Rings: The War of the Rohirrim.
I think the most striking thing for any fan of the writer is how faithful and incredible the visuals are in the animation. The art is beautiful, the animation is fluid and the fidelity to the original work is something that has to be highly valued here! The movie captures the essence and grandeur of Middle-earth, complementing the classic film trilogy very well.
The battles are another very strong point here (this is usually where the animators really show off their animation skills and this was no different!) with scenes of cavalry and sword fighting that are at times chilling.
The storytelling here is also second to none. The story is narrated by Éowyn and tells the story of Helm Hammerhand and his family. It's a story that isn't explored much in other works in this universe, but it's very interesting because of the character's relevance in the story. There are themes of legacy, sacrifice, injustice... There are many extremely interesting plots, with the depth that this universe needs.
In addition, the movie talks about what this universe is usually full of: the revenge of the defeated, the family ties of the people and the cost of war. Even on a smaller scale, these themes carry a lot of weight.
Finally, the fan service! Ah, fan service. So loved and hated at the same time. However, I believe that here it was used well, when it brought a lot of screen time to characters like Éowyn and Saruman. They're just amazing! A well-focused plot, avoiding unnecessary detours, made the movie seem concise despite its epic scale.
In conclusion, I'm sure this is my favorite film of this year because it deals with a work I love, with all the respect it deserves and maintaining the quality and grandeur of the universe. The new Lord of the Rings movie is epic, exciting, innovative and a gift of pure nostalgia for any true fan!
The Red Virgin by Paula Ortiz is incredible. I found it very interesting how they managed to present this tragic story. It is mind-blowing how someone's ideals can have such a massive influence that Aurora ultimately did what she did.
About the film
This film is a mind-blowing psychological historical drama that will spark an internal discussion about how far your ideals should influence your life and the lives of those around you.
The film takes place in a chaotic setting where people are striving to create a better future for their country and citizens, with improved laws for women's rights. With these "perfect ideals," Aurora dedicates her entire life to creating the "perfect woman" (Hildegart, her daughter), who is meant to become the leader of this movement. With her daughter's birth begins Aurora's "Hildegart Project."
Things go very well at first, as Hildegart manages to share her ideals and thoughts through journals and books. However, as politics begin to interfere with Aurora's plans, things start to go wrong, and she begins to fear for the future of her project.
The Red Virgin is available on Amazon Prime and is highly recommended. This film and The Substance have been my favorite ones from this past year.
I don't know if the TV series are also worth it, but I would opt for Shogun. Even though the language was most often Japanese, with subtitles, I really loved the series, being passionate about feudal Japan and having studied the language and culture, as well as visiting the country. Regardless, Shogun kept me hooked for the entire duration, from unexpected twists to relaxing moments, with an Oscar-worthy performance from each of the actors. It was fantastic to breathe the atmosphere of the rising sun, identify with the protagonists and feel the same feelings and breathe the same air. Shogun fully conveys to the viewer the events of an era that is fantastic for me, with its naturally positive and negative sides, a bit like the Middle Ages after all.
I believe that the director put a lot of effort into choosing an excellent cast, making sure that everything is represented in the best way, that there is emphasis in every scene, to the point of recreating with extreme care every single event that characterized that era. It is easy to see how the arrival of the West in the East served the country to develop on the one hand, but on the other led it to westernize more than it should, even if today it still maintains characteristics of that era, after all when talks about Japan, at least I think of samurai, ninjas and feudal lords, rather than the modern.
I think it's one of the best series ever seen about Japan, and even if it might bother some people to read the subtitles, especially those who don't like their language, it's so engaging that a Japan enthusiast absolutely cannot miss it.
My favorite movie of 2024 was bad boys, and I just have to say that this 4th installment was impressive, I have seen all the movies since the first one aired in 1995, And as always they were all a work of art by the wonderful duo Martin Lawrence and Will Smith (can't wait to meet them in person) as always it makes us laugh but also when it comes to getting serious there are incredible action scenes.
The best thing about the movie or what I think the audience loved the most was Reggi's scene, it was simply epic, it was what I loved the most, besides the fact that they gave him a bit of prominence and knew how to take advantage of it and make an epic scene, the scenes and special effects were at the height of this great film
What I didn't like very much or wasn't convinced by was that their dead captain left them videos outlining the situation (a resource that was overly exploited and now forced.
I can conclude that it was an excellent film and I can also consider it as the end of this great story since a new installment would be as I was forced and also because it would damage a little what has been achieved in its previous installments.
The best film of 2024 for me was Deadpool & Wolverine
This rapidly became my favourite of the Deadpool films, from start to finish I was none stop laughing! The cameos were first class, so many great names & so many great references to characters within the Marvel universe!
The chemistry between Hugh Jackman and Ryan Reynolds is perfect, I loved seeing their relationship progress throughout the film. Being a huge Wolverine fan as well as a big Deadpool fan, it was the collab I had been so anticipating for and I'm over the moon that it happened.
The use of multiverses and the epic fight scenes, like any Deadpool film, you know they were intense with a great comedic twist added to them! The many versions of Deadpool's were hilarious, it was great fun working out which Pool were which then to find that some of the cast was Reynold's own family, it just added for greater impact!
It's also worth noting the teasers leading up to the production and release of the film. It built for great hype and I'm very happy to say the film fully delivered on that hype for me.
10/10 would recommend. Especially if you are a comedy fan and/or Marvel fan.
When I watched Longlegs, I was immediately drawn into its eerie and unsettling atmosphere. The story was so captivating, blending crime procedural elements with supernatural horror in a way that kept me hooked from start to finish. Maika Monroe’s portrayal of FBI agent Lee Harker was incredible! Her determination to solve the string of grisly family murders was palpable. And Nicolas Cage as the mysterious and terrifying serial killer Longlegs? He gave an amazing performance! What really stood out to me was how the film balanced its slow-burn tension with these shocking, visceral moments. Each new discovery in the case drew me deeper into this twisted world, especially as Lee unraveled the Satanic messages and realized her personal connection to Longlegs. The twist of the movie, completely blindsided me. It added layers to the story and made the final confrontation even more disturbingly sad. But then there was the ending. Don’t get me wrong, it was intense and emotionally charged. Lee being forced to kill her own mother to stop her from continuing the murders had to be done. Yet, I felt like something was missing. The story was so rich and full of tension that I expected it to end on a stronger cliffhanger, one that would linger with me. Overall, I thought Longlegs was an amazing movie. The characters, the atmosphere, and the twists were great, and it’s definitely one of the better horror films I’ve seen in a whike. I just wish the ending had left me with a stronger sense of unease.
My favorite movie of 2024 or at least the one I feel deserves the most praise is Transformers One. Initially I was skeptical not because the film was animated, but because the original voice actors wouldn't be reprising their roles. When I heard that Chris Hemsworth and Brian Tyree Henry were Optimus and Megatron respectively I was thrown for a loop. Having said that I decided that I love Transformers too much to let bias stop me, so I watche the film.
WHAT WORKED
I was blown away by the performances by the entire cast but Brian Tyree Henry's performance deserves special mention. He had me stunned at his delivery in a particular scene. His passion and ferocity really shown through. It was amazing seeing his transition from D-16 to Megatron. The story was entertaining enough to where I never felt like it dragged.
WHAT DIDN'T WORK
The humor. I am aware that primarily this movie is aimed towards children, but in my theater I don't recall anyone laughing at Bumblebee's jokes. There were times during actions scenes that it was hard keeping track of what was happening.
FINAL THOUGHTS
Solid performances, good writing, and amazing visuals make for an excellent movie deserving all possible accolades despite a few jokes worthy of an eyeroll.
In 2024, my favorite movie was the thriller "The Heretic" with the wonderful actor Hugh Grant in the main role of a maniac trying to prove the absence of God to two religious girls.
The film begins with the serene attempts of two church parishioners to tell those who want to know about their faith, until they reach a remote house on a cliff of an elderly man who at first glance does not cause fear. However, the excellent acting of the actor gives hints that he is not so simple.
The trinity begins to discuss the church and faith in general, disputing each other's arguments, until the girls realize that they will never leave this house again.
Most of the time, the film keeps you in suspense for the lives of the main female characters and you never know who will survive.
The film deserves a place among my favorite films not only for 2024, but for my entire life. All the actors play their roles perfectly, and the plot makes you think - does God exist, or is our whole world just a simulation, and after death we will be taken out of the capsule to get rid of the body. I am glad that I was able to stumble upon this film and enjoyed it in the company of my friends, who also began to think about the questions posed by this film
My 2024 film pick is Nosferatu which is a gothic horror, a remake of F.W. Muranu's 1922 film Nosferatu: A Symphony of Horror based on Bram Stoker's 1897 novel Dracula. It was the cast of actors that made this movie special and memorable. Lily-Rose Depp’s performance was extraordinary, my first film witnessing her talented acting. Nicholas Hoult who is already popular in the UK and some people will know him from the X-Men movies was also super spectacular. Last but not least, Bill Skarsgard and Willem Dafoe are icing on the cake to help fill all the missing pieces. The beginning of this film grabbed me from start to finish, it was a strong hook.
The overall lighting in the movie gave it a gothic feel the entire time watching the movie. The landscape and costumes also provided good aesthetics to maintain the gothic feel too. I also envisioned myself watching a live play during this movie because I think the entire script could be enacted in a live play that I can watch on Broadway.
I could not predict the ending of this movie like I can with other Dracula or vampire related movies, and I have seen many over my last 40 plus years of life. The ending was good, the plot is good. I have not seen the original movie but I think this remake live up to the hype.
In 2024 Hasbro released the latest animated movie, “Transformers One”.
The transformer movie this time is very fresh because it is made in the form of 3d animation, which was previously made in the live action movie version.
The character design is very close or maybe similar to the anime / cartoon version, which makes the fans welcome this movie very excited when the trailer first came out.
This movie tells the story of the beginning of the conflict between optimus prime & megatron (Otobot and decepticon), a beginning where cybertron is still peaceful and livable in an era where optimus prime has not become a prime.
in terms of the story I really enjoyed it because it was easy to digest even though there was something a little different from the live action version, for music and sound effects it was very good, and the voice actors, especially optimus prime, really reminded me of Thor in marvel lol because coincidentally the voice actor optimus prime was filled by chris hemsworth actor thos in the marvel series.
This movie stars famous artists such as Chris Hemsworth as Orion Pax / Optimus Prime, Brian Tyree Henry as D-16 / Megatron, Scarlett Johansson as Elita-1, Keegan-Michael Key as B-127 / Bumblebee and many more.
in this movie you will be treated to a variety of conflicts from friendship, betrayal, and responsibility.
I think my favourite Film of 2024 is gonna have to be : Ghostbusters Frozen Empire
The has an excellent story through out from start to finish. Its nice to see some of the OG ghost busters as well. The new and upcoming family now living in the original ghostbuster building are having some usual family problem with one of the younger girls in the family as she is wanting to get more involved with the hunts, but the parents just want to protect her and says that she is too young. When a frozen ghost orb is broken releaseing a hight tier ghost/demon the rush to save the day and the city (New york) is over ridden by spirits of all kind. It is later on in the film when the younger girl just so happens to come up with an idea and new tech that will in the end save the day showing the family that she really knows whats she is doing and so they end up trusting her more. also the ghost vault ends up having to be completely replace with a much better version of the previous one which is redesigned to hold ALOT more ghost and be even more secure for the future
Definatly cant wait so see if there will be anymore adaptations of this awesome series
My favorite Movie of the 2024 is the Disney's animated film Mufasa, directed by Barry Jankins. Is a prequel to the Lion King, the cartoon of the 1994. It has very beautiful computer graphics, it is very well made with extraordinary scenographic effects. It presents itself almost like a documentary due to the grandiose digital representation of an Africa that is usually only seen on postcards. Unlike The Lion King where the plot is based on teaching the values of life and morality, here everything is focused on photorealism. Animals talk, move and have expressions too similar to humans. Different breeds socializing, getting along. In a context where in nature they would actually be enemies. Fantasy, therefore, and not a fairy tale. Overall, however, the film is well made.
Undoubtedly this has been the film that I have enjoyed the most in 2024.
For Japanese film lovers, that is to say, slow paced, with long contemplative shots, but not boring, from a director who reached his maximum celebrity thanks to horror films of the 90's, but who has shown that he is capable of making great works outside this genre.
What strikes me most about this work is its very current and everyday premise; the world of online buying and selling and the resale of goods. A thriller that moves between the everyday and the inexperienced. The film manages to immerse the viewer in an increasingly dangerous and oppressive dynamic for its protagonist, with great supporting characters that carry weight in the story.
The performances are superb, both in the lead and supporting roles. The dialogue is, as is usually the case in Japanese cinema, brief, well thought out and always with a clear intention. The cinematography is simply marvellous, with some really beautiful shots.
I also want to emphasize the great soundtrack by Takuma Watanabe, it may go unnoticed for many but it really helps to create the necessary atmosphere in the film.
I highly recommend it for those who love Japanese cinema, and for those who don't know it but want to discover something new, quite accessible.
The Film Speak No Evil, has to be a highlight of 2024 for me.
The film is an hour and 50 minutes long with a Restricted rating due to the violence, abuse and strong themes of bullying, child abuse and murder. It is a psychological and dark thriller.
The film opens with a family (The Daltons) on holiday, who meet another family (The Felds) who they befriend and spend time having a lot of fun with. The families are naturally drawn together as both children have issues, Ant Feld doesn't communicate verbally, and the Daltons daughter struggles with anxiety and has a worry bunny teddybear that she carries with her.
This brings the families together, and the friendships and fun blossom, even with moments of red flags with the unhinged chaotic behaviour of the Felds father Paddy played by James McAvoy.
This holiday realy soldifies the trust grown between families and McAvoys charm and personality shines throughout, the cracks of the relationship in the Daltons is shown a little as they appear to be dealing with resentment over a recent move to London for a career that then fell through leaving his wife trying to keep her business going.
The opening is full of joyful fun, bright colours and excitement supplied by the Felds, who really drag the Daltons into having more fun than they would ever have on their own. The awkward silences caused by James McAvoy are savage, cutting and he covers them so well with a menace that forewarns of the rest of the movie.
The opening is so important to set up the rest of the film, it sets a bright, happy, exciting and fun start to the film.. starkly contrasted with the 2nd half.
After returning home, the Daltons return to their dull lives, struggling day by day, the lighting in the film darkens, the weather is rainy and bleak and the family relationship feels very strained.
Paused silences between dialogue further demonstrate the boredom, and issues.
When they recieve an invitation to visit the Felds at their property they eventually decided to accept and go.
The rest of the film is just gloirously more and more horrific and terrifying as James McAvoy controls his family with menace and a real threat of violence.
It uses silence, to really make watching scenes uncomfortable and it defuses it with sparks of humour from James McAvoy that result in awkward laughter.
The conclusion of the film is full of shocking twists and turns sure to leave you gasping for air.
Mackenzie Davis and Scoot NcNairy who play the Dalton's mother and father, do a fantastic job of bringing a disfunctional relationship to the screen, there bickering and point scoring feels natural and beleivable, the way they deal with the ongoing menace arround them doesn't feel forced or purely to fit the plot.
Now James McAvoy is superb, he is terrifying, he is toxic, he uses his charm and wit to defuse the situation and has a muscular build that makes him as physically menacing as he is emotionally.
His wife played by Aisling Franciosi plays a subdued wife who always tries to keep the peace, very well. It is a intended performance to disarm you as you question is she complicit or a victim. I'm not sure you ever truly get an answer.
This is not a family film, it is not necessarily a horror though it kind of ticks the boxes for it. It is an emotional thriller with violence, and although the story is far from original the performance makes it something extremely special.
You know it, you love it, it's the best film of the year!
Deadpool & Wolverine
This film has been hyped for a long time and I went with my son and his friend to an Everyman cinema to see this film, for those that don't know, it's basically a VERY fancy cinema where you sit on sofas instead of single chairs.
The very essence of this film as it moves across the multiverse is in fact what makes the film work, but it's also the comedy of which makes the film work. The very fact that we see so many different multiverse versions of Wolverine is just as funny as you like.
The film has an overtone of a story in which Deadpool, whilst prone to random acts of violence, is trying his hardest to protect those who he loves. He is willing to go to war with the lord of time himself, to save his timeline.
The fight scenes, especially when Deadpool & Wolverine who are both immortal, try to kill each other, are both hilarious and incredibly well practised. Each scene, you can tell has been planned and executed flawlessly.
All in all, it is a great film and a must-watch film for the entire family.
The year 2024 that just ended was full of movies and even though there were many bad movies we also received several pleasant surprises and here is my list of Top five best movies of 2024 for me
THE SUBSTANCE
The substance Demi more, is back and is back to show that it is capable of making a deep psychological and values-based film. For this reason I recommend watching this film because it is something totally insane and original. The substances are 100% recommended.
TERRIFIER 3
If you still miss those eighties Freddy Krueger movies and those characters that terrified young people, then here is your chance to see something strong and if this started as an experimental video then it moved on to its first and second part, well in this third part they set the bar high.
WILD ROBOT
There are movies about robots where robots prove that they are more human than humans themselves. So by watching this movie we are going to learn how to be better people. I won't tell you what the story is about, but you yourself will see a masterpiece.
FLOW
This curious cartoon should have been the animated version of the Stray video game. How to be a cat, the life of a cat and how it relates to other animals, I can't tell you what the story is about, but each painting looks like a Van Gogh drawing. This is pure art. This is worth having on DVD or Blue Ray
DEADPOLL VS WOLVERINE
This has been one of the most anticipated movies and a complete madness, I was fascinated from beginning to end and of course why wasn't I going to put it in this top five of the most entertaining movies of 2024.
I hope you liked this movie summary from someone who was interested in film since he was little and that's why it seems so easy to take photos and videos. So
Why do I like moana 2 because the movie is good with cool visuals and amazing music, I was already interested in the first moana with a visual style and graphics that are really good from the start of the water and the transform effect to the music that makes this movie interesting.
Moana 2 managed to exceed expectations as a highly anticipated sequel to the first film. Here are the top reasons why this movie is my favorite in 2024:
A Deeper Story why I love moana 2 because it's a great movie with cool visuals and amazing music, I was already intrigued by the first moana with its visual style and great graphics from the water and transform effects to the music that makes the movie dance This sequel takes Moana on a more complex and emotional adventure. The focus on themes of courage, family love, and connection to nature gives it a new dimension that is relevant and heartfelt.
Stunning Visuals The animation in Moana 2 is more captivating than the previous movie. Using the latest technology, Disney has created vivid ocean visuals, stunning exotic islands, and magical effects that are a feast for the eyes.
Incredible Music The new songs in Moana 2 are not only catchy, but also have powerful and emotional lyrics. Collaborations with renowned musicians provide a fresh new color while still feeling like home to fans of the first film.
Evolving Characters Moana shows significant character development. She is more mature, but still has her signature spunk. Interactions with new and old characters also bring interesting and entertaining dynamics.
Inspiring Messages The film carries messages about protecting nature, honoring ancestral cultures, and self-discovery that are relevant to current world issues.
Overall, Moana 2 successfully combines nostalgia with fresh new elements, making it a must-watch and an unforgettable emotional experience.
There were several movies in 2024 that I'd consider a contender for my favorite, but the one that sticks out the most would have to be Wicked.
For those who may not know, Wicked is an adaptation of a stage musical that was one of the earlier examples of taking a classic villain and revealing/creating a sympathetic backstory for them. In this case, the Wicked Witch of the West from The Wizard of Oz. After a brief introduction set immediately after the Witch's death in the original story, we flash back to the Witch as a younger woman named Elphaba as she attends a school for magic and shares a room with the Good witch Glinda. The pair are eventually invited to see the Wizard in the Emerald City, where Elphaba learns the Wizard is behind a conspiracy to persecute the talking animals who live in Oz and decides to stand against him, being declared an enemy of the state (literally Wicked) and forcing her to flee bringing a close to the film at the end of what was Act I of the musical.
This sort of movie is a risky endeavor, look no further than 2012's Rock of Ages film adaptation, or 2019's Cats. The safer route may have been to simply film a production of the stage show a la Hamilton's release on Disney+, but director John M. Chu and the rest of the crew opted to give it the full 'film' treatment. And it seems to have paid off for them, with fairly positive ratings from both critics and regular film-goers, as well as a box office return of four and-a-half times the movie's budget. I'm not what you would call a big fan of Ariana Grande, but she put in an excellent performance, as did Cynthia Erivo as Elphaba. And as a fan of the Broadway show, I'd be lying if I said the cameos for the characters' original actors didn't get a small pop out of me.
Overall I'd say Wicked is a faithful adaptation of its source that does a fair job of broadening the reach of the three decade old show, and fully deserves the praise it's received.
I do enjoy musicals, and Wicked really put me off, despite its strong musical songs and peformance.
So I decided to watch it and over 3 days I popped it on and wanted to really take what the story was.
I was impressed with the complexity of the story, its blooming good. Colourful, fun and sickly annoying at points, its a great film for families and can open quite interesting debates about oppression, racism.
It is difficult to judge only half of a story, because if the first film gives us the direction, the second concludes the journey and opens up new scenarios. In any case, Dune - Part 2 confirms itself to be exceptional on a visual and formal level, reproposing the austere aesthetic grandeur that had struck me in the first chapter, also through chromatic solutions that prove to be particularly effective, contrasting the intense orange of the desert with a photography that is at times completely desaturated, the work of Greig Fraser. On a narrative level, I was perhaps more convinced by the first part, more airy and solemn. In any case, it cannot be said that the film is not effective, especially because it succeeds in the enterprise of telling this complex story with a clarity and internal coherence that other adaptations, including the fascinating yet confused one by David Lynch in 1984, cannot boast. The feeling remains that, after two films and just under six hours of viewing, our time on Arrakis was still short. Perhaps it would have been better to keep the sequence in three parts, as in the novel, but cinema is not made of "ifs" and "buts". This is Villeneuve's Dune which, like the prophecies of Paul Muad'Dib Usul, contains the past, present and future (the latter in clear echoes of Dune's Messiah, which I hope will arrive at this point) of this story. A narration that in almost sixty years has changed the face of science fiction, and in some ways of contemporary myth, and has reached us in other forms, conveyed by other stories. All of this can be perceived, in Villeneuve's film, while enjoying the journey. The greatest merit of Dune, in the end, in the sum of its parts, is that of having built a bridge between the original work, a child of its time and its nature as a literary epic, and contemporaneity.
My favourite film from 2024 has to be Deadpool & Wolverine. The film is about Wade Wilson/ Deadpool who has retired from being the “Merc with a Mouth”, and soon learns that the TVA (Time Variance Authority) is planning on erasing his universe, and so he recruits the aid of variant of Wolverine to help him.
What I admired about the film the most was the characters. During this film, we get to see Wade/ Deadpool’s character development from feeling aimless at the beginning of the film, to appreciating the life he has. We get to see Wolverine move on from his grief and embracing the hero persona and teachings that the X-Men instilled in him. Cassandra Nova was an entertaining villain who balanced her wickedness and dark nature with her twisted sense of humour and showed viewers why she’s one of the X-Men’s most dangerous villains.
The film feels like a love letter and celebration to the fans of the comics, the Deadpool movies, the original X-Men movies, and the Marvel movies of the early 2000s. The action/fight scenes were epic, and the humour was always on point, the soundtrack was perfect, and most importantly, we Hugh Jackman in a comic book accurate Wolverine costume. Definitely one of the best films of 2024.
I love the idea of movies “for kids” that aren't really for kids. Vibrant colors, easy dialogues and a plot capable of entertaining viewers of all ages. But those who have seen it know that the movie goes far beyond that, and has details and lines that bring moments of deep reflection. The movie is brilliant from start to finish. Riley's coming of age, the emergence of more complex emotions and how she deals with this turbulent phase of adolescence and these feelings is admirably creative and innovative.
In a short space of time, we are able to take an emotional and entertaining journey through the animation, with striking scenes that are very thought-provoking. For example, Anxiety being the feeling that came first because she's anxious haha, the moment when Joy “gives up” and thinks that from this stage onwards it's normal to feel less joy (who hasn't shed a few tears here?), or even the moment of lack of control in the panel of emotions that generates an anxiety crisis. It's all very well thought out. I find it hard to believe that anyone here hasn't seen it yet, if not, please do! It was the best movie/animation I watched in 2024.
I'm Brazilian and I have to praise the movie “Ainda estou aqui” (I'm still here), especially for being able to project national cinema to the world, showing people that there is film beyond Hollywood. Director Walter Salles adapts the book by Marcelo Rubens Paiva, delving into the story of Rubens Paiva, a congressman who was imprisoned by the military dictatorship, and his family. To understand what the movie is about, it's important to understand that Brazil went through a military dictatorship of extreme repression.
In terms of acting, the highlight is Fernanda Torres' absurd emotional weight, facing the struggle and her loss. The fact that she is Fernanda Torres is another highlight, since she is the daughter of a great Brazilian actress, Fernanda Montenegro, who was also a national representative of international projection with the film “Central Station”, so she is continuing her mother's incredible legacy.
On the technical side, the art direction and sound make for an incredible drama, which really captivated me.
I don't recommend it just because it's a national representation, but because it presents a story based on realities lived in the historical context of a country that you may only know from samba and Rio de Janeiro, so give this masterpiece a chance.
Probably this would change when I watch "Nosferatu" by Rpbert Eggers, but so far my favorite movie of 2024 is "The substance":
It takes things, references, details, from a lot of movies and directors, specially from Kubrick - and of course Cronenberg, but it is body horror at its best.
A well know actress starts to fell that she does not fit anymore because of her age and finds a "company" that offers a product, "the substance", that will create a "better version of her"...which means another person (but they are the same, one of the rules is that they cannot be "awake" at the same time). It does not talk about the obsession for being "perfect", at the point of losing control over our own body, but also about the consequences of a society that glorifies the external beauty at any cost.
A true rollercoaster of a bloody, gruesome, violent and visceral critic to modern society, beauty standards, the obsession with...and also to the entertainment industry. Of course it is not for everybody, specially if you don't stand gore, and the end is one of the most controversial of the last year, but for me it is a must see for every cinephile.
I have rediscovered going to the movie theatre this year and have enjoyed the experience. Recently I saw Sonic the Hedgehog 3. This is the third installment on what I would consider a good franchise. Jim Carrey brings the humor and physical comedy that we know and love him for to a new audience and it was cool to see the reactions from kids in the theatre. It must be difficult to act along side digitally created beings but Jim and James Marsden did a great job of keeping us immersed in the world. We got to experience Keanu Reeves as the Hedgehog Shadow, whom is arguably more badass and supercharged than Sonic. The villians Dr. Robotnik and his sidekick Agent Stone played by Lee Majdoub are interesting to say the least. Agent Stone shaves Robotnik's head and it has been said that Jim Carrey grew his hair out specifically to be shaved for real for the movie.
It seems like they introduce a new hedgehog from the video game universe in each installment and without spoiling it they do show another hedgehog that we have yet to meet at the end of this movie as well. I have heard that this would be Jim Carrey's last. I wonder if the Sonic movies will remain a trilogy or if they will continue to expand on the story. It felt like the first movie was a slow introduction to only Sonic and it ramped up with other characters in the next 2 movies.
The futuristic technology, machines and vehicles used by Eggman are pretty wild and deserve recognition. Some of the things used resemble tech used by him in the video game. Any references to the source material (Sonic from the video games) is always appreciated by the audience. This franchise actually had an insane launch as the design for Sonic, specifically his face and eyes, were so widely hated and criticized initially that the studio had to go back to the drawing board (literally) and they pushed back production so that they could change Sonic's face to appease the fanbase.
The action was pretty constant and it was outrageous in a good way. They tried to pull on your heart strings a couple of times but it was a good movie overall and I would recommend it.
If you like the true-to-formula Jason Statham action films then The Bee Keeper won't disappoint. I've heard that some critics don't like the American accent he puts on for this role but it doesn't bother me. The scam call centres are a bit over-sensualised to be believable for something in real life but it works for the movie. Overall, there's heaps of action and it has a reasonable story with tones of revenge.
It's already been confirmed they are making a Beekeeper 2 movie so looking forward to that one also.
This fantastic animation from Latvia offers far more depth than its initial impression might suggest. It tells the story of a black cat and his... well, ship crew, but it’s not your typical “talking-animals” tale like Madagascar or The Lion King. I’d describe it as a believable magical relationship story, where different species unite their efforts to survive a looming disaster.
I won’t spoil the plot - this is a movie you need to experience yourself. In fact, I’d recommend stopping the trailer as soon as you decide it’s something to add to your watchlist to preserve the surprises.
What made Flow resonate with me was its ability to provoke deep thoughts about human relationships. Yes, it sounds ironic—a purely animal-centric animation made me reflect on human collaboration, love, and the importance of sharing. These themes are the film’s heart and what makes it so special.
Framefrom Kiki'sDelivery Service 1989
What could be done differently? While I appreciate the artistic 3D low-detail style, I can’t help but imagine how Flow could become a masterpiece for the ages if it were drawn in a style reminiscent of Studio Ghibli. That level of hand-drawn artistry could elevate it to an entirely new level.
I know this was an early release, but in the UK, we had The Iron Claw this year, and honestly, it's my favourite film of 2024. It's the kind of movie that gets you by the heart and doesn't let you go.
It's about the wrestling family dynasty of the Von Erichs, and I went in expecting a decent biopic, but I got a gut punch of emotion and storytelling. Zac Efron as Kevin Von Erich was a revelation, I mean, who knew Troy Bolton could pull off such raw and powerful performances? The rest of the cast, Jeremy Allen White and Harris Dickinson added much depth to the character. The film didn't just focus on the glory of wrestling but concentrated on the family's struggle, tragedies, and resilience, and it never felt over-the-top or melodramatic. The cinematography was grainy and raw, which worked perfectly with the tone of the story. The wrestling scenes were even so well-choreographed that you felt every slam and hit. That said, the pacing lagged a bit in the middle. Honestly, though, I barely minded since the emotional heft of the story didn't let me look elsewhere. What made it my favourite wasn't just the performances or the direction; it felt so real. You need not be a fan of wrestling to like this story because it talks about family, loss, and fighting through. Days later, still thinking about it says it all.
The Iron Claw is not just a movie; it is an experience, and I can't recommend it enough.
The Wild Robot is an absolute gem of a movie! It’s not just a story about a robot trying to survive in the wilderness—it’s a beautifully crafted metaphor for adaptation, community, and finding one’s place in an unfamiliar world. Roz, the robot, learns to live in harmony with nature, building relationships with the animals around her. Her journey feels surprisingly human and full of heart. What really sets this opera apart is the amazing art style. The illustrations are simple yet incredibly expressive, with half 2d and 3d techinques. They add so much depth to the story, making Roz’s world feel alive and vivid, but also feeling like a painting. The writing mirrors this simplicity, yet it’s filled with meaning about resilience, connection, and coexistence. This movie isn’t just for kids, it’s for anyone who loves stories that make you think while warming your heart. It’s a quiet reminder that even the most unlikely beings can make a difference and find their place in the world, and that family is who you are grown up with. Truly unforgettable, and I really hope this gem will win an Oscar. In my opinion, the Wall-E of this generation. One of the greatest Dreamworks Movies ever.
This movie is sick, third season movie with Tom Hardy as the main character since i heard it was his last movie as the main character here, the elements and CGI that they made so wonderful and made me goosebumps and having rollercoaster emotions while watching this.
The unique relationship between Eddie Brock and Venom remains the main attraction, with chaotic humor and fresh and varied action scenes.
There so many scenes that very memorable for me that makes me decided to pick this movie on my Favorite Movie Lists,
When Tom and Venom met the Traveler Family and singing together in a van while driving heading the city.
One of the things that stole my attention was when Venom used his powers to become a horse and a fish in an adrenaline-pumping chase scene.
And the other scenes when Venom with other symbiotes, Tom, and Some Silitary soldiers fighting with Xenophages,
With the ending Venom Sacrifices Himself while holding some Xenophages with him.
The film feels more emotional and deep, but its biggest flaw is the absence of a villain who is truly balanced with Venom.
And now I'm still waiting for Knull (Father of Symbiotes) Shows himself in the next movie :)
I worked at a movie theater, and I had the opportunity to watch several films and observe people's reactions firsthand. For me, one of the movies that managed to emphasize emotions and truly make people (including myself) feel something was Deadpool & Wolverine. Its iconic moments, such as when Deadpool inherits Dogpool and how they manage to escape the room where they were supposedly destined to die, stood out. There were plenty of random scenes, even confusing viewers with the appearance of "Captain America." The movie wrapped up with end credits that sparked nostalgia, showing Hugh Jackman in his early appearances as Wolverine alongside the X-Men cast.
Lastly, the post-credit scene was hilarious. It was absolutely worth working at the theater during that time and appreciating this movie both as an employee and a viewer. Watching the audience's reactions made the experience even more memorable. People laughed, gasped, and cheered at various moments, which highlighted how much the film resonated with them. Seeing Hugh Jackman and Ryan Reynolds share the screen in such an energetic and comedic way was a treat for fans who had been waiting years for this collaboration.
The special effects were top-notch, and the fight scenes were choreographed brilliantly, keeping viewers on the edge of their seats. The humor blended perfectly with the action, providing a balance that kept the story engaging from start to finish. Even the soundtrack complemented the scenes, adding emotional depth to key moments and making certain sequences even more impactful.
Overall, this movie delivered on multiple levels, from nostalgia to action and comedy. It’s the kind of film that leaves a lasting impression and reminds audiences why these characters have become so iconic over the years. For any Marvel fan, it felt like a celebration of everything they love about the franchise.
Back in 2016, I enjoyed The Young Pope, a TV show that, despite its quirks, delved into Vatican secrets with impressive detail. Having lived near Vatican City for a time, the familiar streets and parks gave me a personal connection to the story.
Conclave took this connection to the next level, exploring the human struggles and conflicts of the cardinals. Issues of faith and politics are intricately woven into the plot, making it a gripping narrative.
Visually, the film is stunning. Director Edward Berger masterfully crafted every element: camera angles, colors, and even moments of silence - to contribute to the storytelling.
Ralph Fiennes delivers an extraordinary performance as the lead, with every action and expression feeling motivated and authentic. The movie avoids the repetitive “discovery-channel-style” narration, relying instead on Ralph’s expressive gaze to convey emotion and depth.
One of my favorite aspects was the first 20 minutes, which felt like a chess puzzle. Each "piece" was carefully positioned on a board, setting the stage, and when the doors of the Sistine Chapel closed, the game truly began. It’s an experience that left me in awe!
I genuinely struggle to find any imperfections in this movie, except perhaps, I want more of it. Expanding this into a TV show could offer even deeper exploration of its themes and characters. One can only hope!
In my opinion, among the best films of 2024, I feel like putting the Platform 2 on the podium. In recent years, Spanish Film Directors have been able to distinguish themselves in the way they tell horror stories and especially in this case they present us a horror film that does not at all reflect the usual clichés of scary films based on jump scares and explosive sound effects as the only source of fear. Hole 2 in fact disturbs much more with its setting, where the real horror is represented by the behavior of people who, in conditions of extreme difficulty, tend for the most part to assume violent, selfish and shamelessly unscrupulous behaviors. the film turns out to be a profound reflection of the human race. Unfortunately this second chapter is not as exciting and strong as the first, but it follows the theme and expands its meaning, leading the viewer to disturbing moments of strong tension even in the total absence of the classic and too present jump scares of the movies of the recent past.
For me i didnt get a chance to watch alot of films this year, however deadpool and wolverine was a great treat when that was released on disney+
Ryan reynolds once again pulled of a cracker in the character deadpool, and hugh jackman still owns the character wolverine.
The comedic banter of hatred to one of another (characters hatred ofcourse) was used sufficiently to allow it to lead to lead to the two epic showdown between them from the duel and the car brawl without it being used too much, both of which were did not fall flat. The car brawl had a comedic side to watch.
Introducing wolverine after his death was dealt with smoothly, thanks to the introduction of the multiverse earlier in loki.
The cameos of past Marvel characters/actors was also appreciated rather than filling all with todays big hit cause it felt like a nod to the overall history of marvel movies over the past 30 years.
The question now is, where does marvel go from here, does the MCU introduce deadpool more into the MCU with some and if so how will that play out. Will they bring him in through as a side character over the next few phases, or try to introduce him as a main character in lets say a spiderman movie, all of which will be interesting to see.
Beverly Hills Cop Axel F it's the film I was most eagerly awaiting because I was already coming off the disappointment of Eddie Murphy's other return with The Prince of Zamunda, I was curious to know if he had ruined everything with one of the most iconic childhood films. Luckily this not happen and i found in Axel F a good revive. The mood is not so distant from the original, the actors of Taggart and Roswood give me fun vibes like the first movie even if Taggart is too much foolish for what happened in the movie, he seems corrupt like the villain but the final battle redeem him in the best way possible. SO i loved this movie because every vibes remind me of nostalgia from my younghood, even the remixed ost.
what worked: -Eddie Murphie is born to be Axel, nothing change from the past. -Roswood is always the best shoulder with his personality -The ost sounds very good -The story is fitted for the saga -The nostalgia vibes
what not worked: -Taggart is too much fool in this movie. He stay in the movie only for annoy Axel all the time until the final battle, but coul be more helpful for him. -Villain: he just die too stupidly bad at the end.
Humane was such a pleasant surprise. First, I hadn't heard of it until it came to streaming. It had a fairly quiet release and lead up. Second, given the premise, I didn't expect it to have the excellent sense of humor it does.
The plot is that a man has his family over to announce that he has decided to participate in the government's program for humane euthanasia in order to depopulate the United States (and all UN member countries) by 20%. Then, some wildness takes place.
The humor is pitch black. Blacker than pitch black. So black it eats light. But that's probably my favorite flavor of humor. It's also parodical of right wing US politics, which are my favorite proverbial sprinkles over that flavor.
However, it isn't what I would call a "horror comedy" in the same sense most people would relate the phrase--Tucker and Dale vs. Evil, Dead by Dawn, Shuan of the Dead, etc. The sense of foreboding is very real and there are moments of genuine shock and horror.
Also, it was directed by the heir to horror royalty, Caitlyn Cronenberg. She takes her father's proclivity for practical effects and feasible situations (David Cronenberg famously would not make films without basis in science, avoiding the purely supernatural) and runs with it.
It is an excellent watch and definitely my favorite film of 2024.
Honorable mention to Smile 2, though. The first Smile was so incredible, a sequel had huge shoes to fill and did so handily.
“Dune: Part Two” continues the epic saga from where the first film left off, diving deeper into the political intrigue, cultural clashes, and personal struggles on the desert planet of Arrakis. Denis Villeneuve's vision for Arrakis is even more expansive in this sequel. The landscapes are vast and breathtaking, with the desert's beauty and brutality captured in stunning detail. The production design, especially the sandworms and the architecture of the Fremen, feels authentic and lived-in.
The narrative follows Paul Atreides' transformation from a noble heir to a messianic figure among the Fremen. This journey is both literal, as they navigate the desert, and metaphorical, as Paul grapples with his destiny. However, the film's length sometimes feels stretched, particularly in the middle act where the pacing slows to build character moments that don't always resonate as intended.
Character development is central to this sequel. Timothée Chalamet's Paul matures significantly, dealing with leadership, love, and the weight of prophecy. His relationship with Chani, portrayed by Zendaya, deepens, providing a core emotional thread. Rebecca Ferguson returns as Lady Jessica, evolving into a more complex figure with her Bene Gesserit teachings. Austin Butler's introduction as the psychopathic Feyd-Rautha Harkonnen adds a fresh, menacing energy to the antagonist side, although his character could have been explored more thoroughly for additional depth.
The cinematography by Greig Fraser is masterful, utilizing IMAX cameras to capture the scale of Arrakis and the intimacy of character moments. Hans Zimmer's score is both haunting and exhilarating, perfectly complementing the film's tone and action.
There are criticisms. Some fans of the book might feel that certain plot points or character motivations are glossed over for the sake of spectacle or to streamline the narrative for a broader audience. The film's emphasis on visual storytelling occasionally comes at the expense of the intricate political machinations and philosophical undertones of Herbert's work.
"Dune: Part Two" is a cinematic triumph in terms of scale, visuals, and the raw power of its action sequences. It's a feast for the senses but might leave viewers wanting more in terms of character exploration and narrative depth. It sets up for a potential third installment with intrigue, leaving many story threads dangling, making it both satisfying and frustrating in equal measure. In essence, "Dune: Part Two" is a must-watch for sci-fi enthusiasts and those invested in this epic tale, though it might not satisfy all fans of the original novel in its adaptation choices.
I thoroughly enjoyed this movie 5 stars! Especially the ending different from the book.
One of the films that struck me the most is One Love, based on the life of Bob Marley, which I saw at the cinema and also own on Blu-ray. As a fan of the late artist, I already had some background knowledge of his life, but the film went into great detail about Bob's career, from his beginnings to his final moments, highlighting the challenges he faced along the way.
I loved the songs featured in the film, which were the ones I know best and often hum and listen to. They were perfectly integrated into the right moments, adding emotional depth. The actor did an excellent job portraying Bob, not only resembling him but also capturing his gestures and unique way of acting.
The film doesn’t focus solely on Bob's concerts but delves into the behind-the-scenes aspects of his life. It shows the preparation of both the band and Bob himself as they aimed to give their best and deliver a clear message to those who listened. The movie didn’t have any slow moments or boring scenes; it kept me engaged from start to finish. One Love truly brought Bob Marley’s spirit to life, and I found it to be an inspiring and powerful experience.
The film of this year that in my opinion deserves it, is That Christmas (from 2024). Simon Otto's debut as a director of feature films is interesting.... it's an experience, in my opinion, that started very well. It's an animated film with a Christmas background but it's not a Christmas classic, it manages to convey something that goes beyond the festivity. Its story is touching, but alternated with moments of joy and liveliness and even some comic scenes. The atmosphere is beautiful, made of colored lights and scents that sometimes the imagination even has to feel. The colors are very bright and fascinating and create a moment that is perhaps enchanted as well as festive.
What makes this Christmas animated film special is its ability to go beyond the party, beyond the atmosphere and the classic clichés that we might find in films and cartoons of this genre. The story shows perspectives that encourage viewers to find the good even in difficult situations, the ability and desire to live with family and friends, to find refuge and comfort in them. This really impacts this story because often, nowadays everything is a rush and we take certain values at the base of our lives for granted.
And then the happy ending, I love happy endings with a relaxing and thoughtful moral. But despite this it has dramatic twists but with an exciting and absolutely engaging resolution.
"Dune: Part Two," directed by Denis Villeneuve, stands as a cinematic triumph in 2024. This eagerly anticipated sequel continues the journey of Paul Atreides (Timothée Chalamet), now fully immersed in the world of Arrakis. As Paul aligns with Chani (Zendaya) and the Fremen, he faces monumental challenges in his quest for vengeance and to fulfill his destiny as the Kwisatz Haderach.
Visually, the film is a masterpiece. The deserts of Arrakis are brought to life through stunning cinematography by Greig Fraser, who captures both the beauty and harshness of the planet. Villeneuve’s direction ensures that every frame feels purposeful, immersing the audience in this vast and dangerous universe. Complementing the visuals is Hans Zimmer’s powerful score, blending exotic sounds with emotional undertones, perfectly enhancing the film’s tension and drama.
The performances are another highlight. Chalamet delivers a nuanced portrayal of Paul’s transformation, balancing his vulnerability with growing authority. Zendaya’s expanded role as Chani adds depth, her strength and resilience shining through in every scene. The supporting cast, including Rebecca Ferguson, Javier Bardem, and Austin Butler, further elevate the story with compelling performances.
One of the standout moments is the climactic battle, which combines breathtaking action with profound emotional stakes. This scene encapsulates the film’s ability to balance spectacle with storytelling.
"Dune: Part Two" is not just a sequel—it’s a cinematic event that deepens the saga while standing as a monumental achievement in science fiction. A must-watch for fans and newcomers alike, it’s an unforgettable experience.
As I immersed myself in "Sonic 3: The Movie," I encountered a cinematic experience that masterfully blends nostalgia and freshness. From the very first frame, the film captivated me with its vibrant color palette and animation that, though digital, preserves the essence of the original video game.
The film strikes a balance between exhilarating action moments and comedic sequences that made me laugh out loud. The interactions between Sonic and Tails, for example, are filled with palpable chemistry that reflects the friendship and complicity between the two characters. The voices assigned to each character fit perfectly with their personalities, adding authenticity and depth to the narrative.
One of the pleasant surprises were the two shorts that appear during and after the credits. These snippets provide future perspectives for the film, hinting at events from Sonic 4 and leaving you wanting more. Because of this, I experienced a bittersweet feeling. On one hand, the movie provided a satisfying and entertaining experience; on the other, it left me with the sense that I wanted more.
One of the most pleasant surprises was the evolution of the main antagonist, Eggman. At first, he appears as a formidable threat, but as the movie progresses, he surprises us with a new hidden side—something that had never been shown before from this character. This narrative twist caught me off guard and made me reflect on the complexity of characters, even those who initially seem to be the villains.
In summary, "Sonic 3: The Movie" offered me a cinematic experience that effectively combined laughter, action, and emotional moments. The choice of voices, the inclusion of additional shorts, and the complexity of the characters contributed to a film that, while closing one chapter, left the door open to new adventures that I eagerly await.
The animated film The Wild Robot is a heartfelt and original piece of science fiction that instantly immerses viewers in an extraordinary world where nature and technology collide. The story follows Roz, a robot who finds herself stranded on a deserted island after a shipwreck. Without humans or familiar surroundings, she learns to survive, communicate with wild animals, and discover her place in this new world.
What makes this film especially powerful is its intriguing plot twist: as the story unfolds, Roz not only becomes part of nature but also starts to transform the environment around her. It’s not just captivating science fiction but also a compelling narrative about how technology and nature can coexist when there’s mutual understanding.
I found it particularly moving because of its emotional depth. The characters are so well-developed that you find yourself empathizing with them, the robot and the animals. This film touches the heart and makes you reflect on the meaning of life and what it truly means to be “alive.”
In my opinion, The Wild Robot stands out as the best animated film of 2024 due to its originality, stunning animation, and profound message. It’s a masterpiece that deserves to become a classic in the genre of animated science fiction.
Denis Villeneuve’s Dune: Part Two is a monumental achievement in science fiction cinema, cementing its place as a masterpiece of epic storytelling. A direct continuation of 2021's Dune, the film thrusts audiences back into the harsh, awe-inspiring world of Arrakis, seamlessly expanding the narrative while maintaining the grandeur and intimacy that made the first part so captivating.
The plot follows Paul Atreides (Timothée Chalamet) as he embraces his role as the prophesied leader destined to unite the Fremen and seek revenge against the powerful Harkonnen dynasty. Chalamet’s portrayal of Paul’s internal conflict is both gripping and nuanced, capturing his journey from a reluctant heir to a decisive, charismatic leader. Zendaya’s Chani, given significantly more screen time, adds depth to the narrative, portraying a strong, resourceful, and emotionally resonant character who complements Paul’s arc.
Villeneuve’s direction is nothing short of visionary. The cinematography, helmed by Greig Fraser, is spellbinding, with sweeping desert vistas, intricate cityscapes, and mesmerizing sandworm sequences that transport viewers into the heart of Herbert’s universe. Hans Zimmer’s score underscores every scene with pulsating tension and ethereal beauty, making the experience as auditory as it is visual.
The film’s themes of power, destiny, and ecological responsibility are explored with care, never overshadowing the human drama at its core. Villeneuve strikes a delicate balance between large-scale action and introspective moments, ensuring the emotional stakes remain as compelling as the political and military conflicts.
Some may find the pacing deliberate, especially in the quieter, dialogue-driven scenes, but this measured approach allows for a richer exploration of character motivations and world-building. The climactic battles and Paul’s emergence as Muad’Dib provide a thrilling payoff that leaves viewers eager for what lies ahead.
Dune: Part Two is not just a film—it’s an immersive journey into a world of unparalleled complexity and beauty. It stands as a testament to Villeneuve’s mastery of adaptation and storytelling, offering both spectacle and substance in equal measure. Whether you’re a fan of Herbert’s novels or simply a lover of exceptional cinema, this is a must-see experience that will linger long after the credits roll.
En este apasionante thriller criminal, Russell Crowe protagoniza a Roy Freeman, un ex detective de homicidios con una memoria fragmentada, obligado a resolver un caso que no puede recordar. Mientras la vida de un hombre pende de un hilo en el corredor de la muerte, Freeman debe reconstruir las pruebas brutales de una investigación de asesinato de hace una década, descubriendo una siniestra red de secretos enterrados y traiciones que se vinculan con su pasado. Solo confiando en sus instintos, se enfrenta a una verdad escalofriante: a veces, es mejor dejar ir los recuerdos, antes de que se tornen mortales.
PALABRAS DEL DIRECTOR
Como narrador, me siento atraído por personajes en crisis. La naturaleza de esa crisis puede tomar muchas formas. Alguien que emprende un viaje desde un estado perdido o fragmentado hacia otro en el que pueda empezar a restaurarse a sí mismo. Esta es, en
gran medida, la historia de nuestro protagonista, Roy Freeman. Su crisis es existencial es: ¿QUIÉN SOY YO? La pérdida de memoria le ha robado su calidad de vida. La base de quién cree que es en un día cotidiano está construida sobre arena, inestable y cambiante.
Cinematográficamente, aspiré a hacer una película que se sitúa entre las grandes de este género como «Memento» de Christopher Nolan, «Angel Heart» de Alan Parker, «Shutter Island» de Scorsese, y estoy emocionado de llevar a los espectadores a un emocionante viaje de investigación lleno de giros, vueltas y sorpresas, pero también hacerlos sentir todo lo que Roy está sintiendo.
Lo que me emociona es que la historia trata de la importancia de la memoria y los recuerdos, que juegan en la formación de quiénes somos, cómo vemos el mundo y la forma en que nos comportamos. ¿Qué pasaría si pudiéramos olvidarlo todo? ¿Y si todos los traumas de nuestro pasado pudieran desaparecer? ¿Quiénes seríamos entonces? ¿En la ignorancia está en realidad la felicidad? ¿O al olvidar todo lo malo, ya no hay punto de referencia para la moral y la bondad? Son preguntas existenciales, sin duda, y son preguntas a las que nuestro protagonista se enfrentará en su viaje hacia la redención eventual… o el pago de cuentas.
– Adam Cooper
FICHA TÉCNICA
Género: Thriller. Elenco: Russell Crowe, Karen Gillan, Marton Csokas. Director:Adam Cooper Duración: 110mins.
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"Los Vengadores" (2012), dirigida por Joss Whedon, es una película de superhéroes que reúne a los principales personajes del Universo Cinematográfico de Marvel (UCM) en una épica batalla por la supervivencia del planeta.
La trama sigue al director de S.H.I.E.L.D., Nick Fury, mientras recluta a un equipo de héroes extraordinarios para enfrentar una amenaza global: Loki, el dios asgardiano del engaño, quien ha robado el Teseracto, una fuente de energía cósmica de inmenso poder, con la intención de dominar la Tierra.
El equipo, conocido como "Los Vengadores", incluye a Iron Man (Tony Stark), un genio multimillonario con una armadura avanzada; Capitán América (Steve Rogers), un superhéroe de la Segunda Guerra Mundial con un escudo indestructible; Thor, el dios del trueno; Hulk (Bruce Banner), un científico con un alter ego monstruoso; Black Widow (Natasha Romanoff), una letal espía y asesina entrenada, y Hawkeye (Clint Barton), un arquero experto.
Al principio, las personalidades fuertes y las diferencias entre los miembros dificultan la colaboración, pero tras un golpe devastador por parte de Loki, logran unirse y actuar como un verdadero equipo. La batalla culminante tiene lugar en Nueva York, donde los Vengadores luchan contra el ejército de Chitauri, una raza alienígena enviada por Loki, en una explosiva demostración de heroísmo y trabajo en equipo.
La película combina acción trepidante, humor y momentos emocionales, marcando un hito en el cine de superhéroes al ser la primera en reunir a tantos personajes icónicos en una sola narrativa. Fue un éxito tanto de taquilla como de crítica, cimentando el UCM como una de las franquicias más influyentes de la historia del cine.
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Maybe a bit of a hot pick, but this movie was both captivating and a brilliant continuation from the first of the new Dune series.
Carried heavily by incredible acting and scoring this film lifts you out of our universe and into another whilst still relating to the problems of the modern day.
I have always been a fan since a young age of movie series, such as Star Wars and Lord of The Rings, being able to tell such a broad story line, full of lore and spin-off availability it give you the chance to explore a home away from home and let your imagination grow.
I am also quite partial so controversial endings and plot twists, as someone who is constantly trying to figure out what is coming next or how it will end, even if that leaves slight disappointment it breaks away from the conventional “happy endings” that the movie industry is so often obsessed with.
This also opens the story up to a lot more oppertunity, such as video games or the prequel HBO series, or a continuing saga of movies, giving me the oppertunity to further explore the story surrounding the success of the first two films and I am excited to see more to come from this world.
One of my favorite films from 2024 is "Dune: Part Two," directed by Denis Villeneuve. This sequel continues the epic journey of Paul Atreides (played by Timothée Chalamet) as he aligns with the Fremen to avenge his family, confront political betrayal, and embrace his destiny as the prophesied leader. Villeneuve masterfully builds upon the foundation laid by the first installment, delivering a cinematic spectacle that’s both visually breathtaking and emotionally resonant.
The film’s world-building is exceptional, immersing viewers deeper into the harsh, otherworldly beauty of Arrakis. The sprawling desert landscapes, combined with meticulous production design, create an atmosphere that feels alien yet strangely familiar. Villeneuve uses every frame to reinforce the scale and intensity of the story, making the audience feel the weight of Paul’s journey.
The performances are a standout, with Timothée Chalamet delivering a more nuanced portrayal of Paul as he grapples with power and prophecy. Zendaya’s Chani is given far more depth in this installment, showcasing her strength and complexity. The supporting cast, including Rebecca Ferguson as Lady Jessica and Javier Bardem as Stilgar, add layers of gravitas to the narrative.
Hans Zimmer’s score is another highlight, weaving haunting, otherworldly sounds that perfectly complement the tone and elevate the film’s emotional stakes. The battle sequences, while epic in scale, are grounded by the intimate, personal struggles of the characters.
"Dune: Part Two" surpasses its predecessor by diving deeper into the political, emotional, and spiritual elements of Frank Herbert’s classic. It’s a masterpiece that balances spectacle with substance, making it a must-watch for fans and newcomers alike. Truly one of 2024’s cinematic triumphs.
Alright, let's talk about "Still Here," the 2024 masterpiece that has everyone buzzing! Directed by the ever-talented Walter Salles and starring our very own Fernanda Torres, this film is a total game-changer.
"Still Here" dives into the emotional rollercoaster of Eunice Paiva's life, brilliantly portrayed by Fernanda Torres. This isn't just any story; it's a heart-wrenching journey through pain, courage, and resilience. Eunice's husband, Rubens Paiva, disappears during Brazil's military dictatorship, and she transforms into a fierce activist fighting for justice. Fernanda's performance? Absolutely jaw-dropping. She captures every nuance of Eunice's struggle, making you feel every bit of her pain and determination.
The direction by Walter Salles is on point, as always. The cinematography by Adrian Teijido and the hauntingly beautiful score by Warren Ellis perfectly complement the film's intense atmosphere. It's a visual and auditory treat that keeps you hooked from start to finish. Fernanda Torres's performance has been rightfully recognized on the global stage. She not only received a standing ovation at the Venice Film Festival but also snagged the Golden Globe for Best Actress in a Drama. As a fellow Brazilian, seeing her talent celebrated internationally fills me with immense pride. Her achievement is a testament to the incredible talent and resilience we have in Brazil.
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